Wed, 22 Apr 2026 11:01:18 +0200 https://hearthis.at/a23p/ en-EN a23p@protonmail.com a23p@protonmail.com https://hearthis.at/a23p/ https://img.hearthis.at/a/a/b/_/uploads/9201/image_user/w1400_h1400_q70_ptrue_v2_----cropped_3caa5a44c651852816f58d29a125d9ebaa.jpg no no https://hearthis.at/a23p/62323/
Gear:
Roland TR-8S
Roland V-Synth GT
Laptop (used for live sequence programming of the Roland V-Synth GT & recording the live session)]]>
Gear:
Roland TR-8S
Roland V-Synth GT
Laptop (used for live sequence programming of the Roland V-Synth GT & recording the live session)]]> 9372744 no no Fri, 30 Jun 2023 21:29:56 +0200 2023-06-30T21:29:56+02:00 1:35:40 https://hearthis.at/a23p/bassdrum23/ Counter to the more mute response on prior efforts, "CD" questioned some natures of emergent sound when the current work at hand was in active creation, but asked and said no more upon resolve to their questions.

LiveBassAndDrum '23

Source Materials/Tracks:
Akua Naru - The Dark
El-P - Delorean
Bobby Digital - N.Y.C. Everything Feat. Method Man (DnB rmx)
Dom And Roland - Gasoline
Evol Intent - Reality Check (Feat. Ewun)
Jidenna - Long Live the Chief
Vector Burn - Hypothermia
Gridlok & Dieselboy - MDMX (Original Mix)
The Prodigy - Breathe (Mefjus & Camo & Krooked Remix)
Cause4Concern - Never Acid Again (Neonlight Remix)
Klute - We R The Ones (Klute VIP)
Calyx & Teebee - Dual Processed (feat. MC Verse)
Dead Kennedys vs Gil Scott Heron - Revolution (Uber Alles)
Beasties Against the Machine - Check the Testimony (Dey-One Mix)
Nerve - Tribute
Erykah Badu - On & On (Blu Mar Ten Remix)
Rowpieces - Stroke Of Genius (Jazz VIP)
The Future Sound Of London - Papua New Guinea (Vector Burn Remix)
Telepopmusik - Breathe (C-Level DnB Remix)
Chase & Status - Barbarians
Mos Def - Beef
Klute - True Human
Evol Intent - Era Of Diversion
Meat Beat Manifesto - Helter Skelter (Mayhem and Evol Intent Remix)
Meat Beat Manifesto - Helter Skelter '97
Air Liquide - Knifflige Fragen
Dave Stephens - Girl Talk (A23P's 420=7 Mix)
M Beat (Feat. Jamiroquai) - Do You Know Where You're Coming From
KMFDM - Fairy Tale
A23P - eROTiek
Dave The Drummer & Dirty Blonde - The Ugly
Dynamo City - One Night In Hackney (Chris Liberator and Sterling Moss Remix)
Al-Yen AKA Acid Witch - Acid Train (Dejenerate Alert Mix)
Midnight Oil - Beds Are Burning (Psyfonic Remix)
Sheep On Drugs - 15 Minutes of Fame (Alt. mix)
White Zombie - Blood, Milk, & Sky (Rabbit In the Moon Mix)
Skrillex, Justin Bieber, & Don Toliver - Don't Go (Select Mix Remix)
Evol Intent - Maybe Well Dance Tomorrow
65daysofstatic - The Conspiracy Of Seeds
Venetian Snares - Hajnal]]> Counter to the more mute response on prior efforts, "CD" questioned some natures of emergent sound when the current work at hand was in active creation, but asked and said no more upon resolve to their questions.

LiveBassAndDrum '23

Source Materials/Tracks:
Akua Naru - The Dark
El-P - Delorean
Bobby Digital - N.Y.C. Everything Feat. Method Man (DnB rmx)
Dom And Roland - Gasoline
Evol Intent - Reality Check (Feat. Ewun)
Jidenna - Long Live the Chief
Vector Burn - Hypothermia
Gridlok & Dieselboy - MDMX (Original Mix)
The Prodigy - Breathe (Mefjus & Camo & Krooked Remix)
Cause4Concern - Never Acid Again (Neonlight Remix)
Klute - We R The Ones (Klute VIP)
Calyx & Teebee - Dual Processed (feat. MC Verse)
Dead Kennedys vs Gil Scott Heron - Revolution (Uber Alles)
Beasties Against the Machine - Check the Testimony (Dey-One Mix)
Nerve - Tribute
Erykah Badu - On & On (Blu Mar Ten Remix)
Rowpieces - Stroke Of Genius (Jazz VIP)
The Future Sound Of London - Papua New Guinea (Vector Burn Remix)
Telepopmusik - Breathe (C-Level DnB Remix)
Chase & Status - Barbarians
Mos Def - Beef
Klute - True Human
Evol Intent - Era Of Diversion
Meat Beat Manifesto - Helter Skelter (Mayhem and Evol Intent Remix)
Meat Beat Manifesto - Helter Skelter '97
Air Liquide - Knifflige Fragen
Dave Stephens - Girl Talk (A23P's 420=7 Mix)
M Beat (Feat. Jamiroquai) - Do You Know Where You're Coming From
KMFDM - Fairy Tale
A23P - eROTiek
Dave The Drummer & Dirty Blonde - The Ugly
Dynamo City - One Night In Hackney (Chris Liberator and Sterling Moss Remix)
Al-Yen AKA Acid Witch - Acid Train (Dejenerate Alert Mix)
Midnight Oil - Beds Are Burning (Psyfonic Remix)
Sheep On Drugs - 15 Minutes of Fame (Alt. mix)
White Zombie - Blood, Milk, & Sky (Rabbit In the Moon Mix)
Skrillex, Justin Bieber, & Don Toliver - Don't Go (Select Mix Remix)
Evol Intent - Maybe Well Dance Tomorrow
65daysofstatic - The Conspiracy Of Seeds
Venetian Snares - Hajnal]]> 8700564 no no Tue, 11 Apr 2023 04:32:20 +0200 2023-04-11T04:32:20+02:00 2:38:02 https://hearthis.at/a23p/nesmetawysis/
"Video killed the radio star
But A.I. finished the pop star off"]]>
"Video killed the radio star
But A.I. finished the pop star off"]]> 6712410 no no Mon, 25 Apr 2022 23:28:55 +0200 2022-04-25T23:28:55+02:00 5:13 https://hearthis.at/a23p/thesequenceoftimbre/ In particular, the key area of sound design was an evolving pad concept inspired by Korg Wave Sequencing methods. The Result is heard through out the piece, in particular performing a sustained C Minor chord (rooted in base A=432hz). While other notes are played with the patch sparingly, the chord is sustained through out the entire piece. Additional timbre designs of a sort of "glitching ping" and simple synth bass were thrown in and played along with some basic beat programming and a modulated cowbell of sorts.

All sound design, live sound design modifications, play, and sequencing were conducted on a Roland MC-707 (Zen Synth Engine)

*visual art work "The Ghost Hidden Deep In Our DNA" by Peter Strain (with all rights reserved to artist)*]]> In particular, the key area of sound design was an evolving pad concept inspired by Korg Wave Sequencing methods. The Result is heard through out the piece, in particular performing a sustained C Minor chord (rooted in base A=432hz). While other notes are played with the patch sparingly, the chord is sustained through out the entire piece. Additional timbre designs of a sort of "glitching ping" and simple synth bass were thrown in and played along with some basic beat programming and a modulated cowbell of sorts.

All sound design, live sound design modifications, play, and sequencing were conducted on a Roland MC-707 (Zen Synth Engine)

*visual art work "The Ghost Hidden Deep In Our DNA" by Peter Strain (with all rights reserved to artist)*]]> 5600627 no no Sun, 07 Feb 2021 02:31:06 +0100 2021-02-07T02:31:06+01:00 11:39 https://hearthis.at/a23p/maybreak15/ Source Materials:
* M. McKinley "If Reality were Real"
* A23P - Banish
* Bass Junkie - Robot Movement (Dexorcist's B-Boy Bass Edit)
* Fancy & Spook - 8th
* Anthony Rother - La Bete
* Dynamik Bass System - She's Gotta Have It (Radio Edit)
* Orbital - Dwr Budr
* A23P - SarDust Babylon (eROTiek II)
* Cereal Killaz / Zarbizzar - 3773 (A23P's DisTension Mix)
* A23P - EthniAcite
* Naught - Shattered (Pentacles)
* A23P - Interim Dynamic

As a bit more than half of the source materials (A23P and Naught recordings) are "Alien Nesby" in origin, this recording very well may be the first set of it's kind i've ever done both public and/or private. Generally speaking, have looked to only using my own recordings during "DJ Sets" in a highly limited ways, if at all. Personal thought being that I should play such material live on instruments if I was going to play it out publicly; and playing recordings to the public akin to "faking the music".....

My attitude has changed some on the hows, whats, and whys of what "faking the music" means and as such feelings would stand at the time of this recording, there was no need to arbitarily limit what i was doing..... on a personal level, being allowed to mix my own material without guilt was literally a radical and revolutionary thought.
In personal current, "faking the music" is simply wittingly seeking to cause others a false perception on the natures of the "art" itself..... there's nothing inherently fake about playing and mixing one's own recordings... leading people to think a played recording is tantamount to involved instrumental play however, is an act of con.
]]> Source Materials:
* M. McKinley "If Reality were Real"
* A23P - Banish
* Bass Junkie - Robot Movement (Dexorcist's B-Boy Bass Edit)
* Fancy & Spook - 8th
* Anthony Rother - La Bete
* Dynamik Bass System - She's Gotta Have It (Radio Edit)
* Orbital - Dwr Budr
* A23P - SarDust Babylon (eROTiek II)
* Cereal Killaz / Zarbizzar - 3773 (A23P's DisTension Mix)
* A23P - EthniAcite
* Naught - Shattered (Pentacles)
* A23P - Interim Dynamic

As a bit more than half of the source materials (A23P and Naught recordings) are "Alien Nesby" in origin, this recording very well may be the first set of it's kind i've ever done both public and/or private. Generally speaking, have looked to only using my own recordings during "DJ Sets" in a highly limited ways, if at all. Personal thought being that I should play such material live on instruments if I was going to play it out publicly; and playing recordings to the public akin to "faking the music".....

My attitude has changed some on the hows, whats, and whys of what "faking the music" means and as such feelings would stand at the time of this recording, there was no need to arbitarily limit what i was doing..... on a personal level, being allowed to mix my own material without guilt was literally a radical and revolutionary thought.
In personal current, "faking the music" is simply wittingly seeking to cause others a false perception on the natures of the "art" itself..... there's nothing inherently fake about playing and mixing one's own recordings... leading people to think a played recording is tantamount to involved instrumental play however, is an act of con.
]]> 6759242 no no Sun, 15 May 2022 19:47:44 +0200 2022-05-15T19:47:44+02:00 1:10:23 https://hearthis.at/a23p/soulutions/ 6678123 no no Tue, 12 Apr 2022 18:06:45 +0200 2022-04-12T18:06:45+02:00 10:59 https://hearthis.at/a23p/granexpel/ all original sound design and writing by Alien Nesby.

No pre-writing, no backing tracks, no linear sequences
Raw, No Edits.]]> all original sound design and writing by Alien Nesby.

No pre-writing, no backing tracks, no linear sequences
Raw, No Edits.]]> 608038 no no Sat, 19 Dec 2015 00:00:00 +0100 2015-12-19T00:00:00+01:00 35:37 https://hearthis.at/a23p/justintime4poly/ Calm simplicity in a complex time
Written and Produced but mostly just recorded and done on February 26, 2021]]> Calm simplicity in a complex time
Written and Produced but mostly just recorded and done on February 26, 2021]]> 5677606 no no Sat, 27 Feb 2021 01:22:54 +0100 2021-02-27T01:22:54+01:00 10:12 https://hearthis.at/a23p/alabastera23pmarch242022/ 6639367 no no Thu, 24 Mar 2022 22:35:20 +0100 2022-03-24T22:35:20+01:00 44:21 https://hearthis.at/a23p/visiointhe10th/
Gear
Roland TR-8S
Roland MC-707]]>
Gear
Roland TR-8S
Roland MC-707]]> 5290318 no no Mon, 09 Nov 2020 03:17:40 +0100 2020-11-09T03:17:40+01:00 41:32 https://hearthis.at/a23p/a23planetlockdown/ Live Mix/Remix Session by A23P
Recorded ON the PANdemic seas of COVfefe ridin a COVid 666 bored while surfin a Kether Virus
April 18, 2020

originally hosted (w tracklist available) at:
https://archive.org/details/a23planetlockdown]]> Live Mix/Remix Session by A23P
Recorded ON the PANdemic seas of COVfefe ridin a COVid 666 bored while surfin a Kether Virus
April 18, 2020

originally hosted (w tracklist available) at:
https://archive.org/details/a23planetlockdown]]> 4602930 no no Sun, 19 Apr 2020 13:20:20 +0200 2020-04-19T13:20:20+02:00 1:03:50 https://hearthis.at/a23p/a23planetlockdown2/ Live Mix/Remix Session by A23P
Recorded ON the PANdemic seas of COVfefe ridin a COVid 18 bored while surfin a Kether Virus
April 22, 2020 (West Palm Beach, Florida)
With additional monologue from Matt McKinley added on April 24, 2020 (quantumconscience.com)
#GleamingTheCube

originally hosted (w tracklist available) at:
https://archive.org/details/a23planetlockdown]]> Live Mix/Remix Session by A23P
Recorded ON the PANdemic seas of COVfefe ridin a COVid 18 bored while surfin a Kether Virus
April 22, 2020 (West Palm Beach, Florida)
With additional monologue from Matt McKinley added on April 24, 2020 (quantumconscience.com)
#GleamingTheCube

originally hosted (w tracklist available) at:
https://archive.org/details/a23planetlockdown]]> 4635024 no no Sat, 25 Apr 2020 18:54:53 +0200 2020-04-25T18:54:53+02:00 1:57:25 https://hearthis.at/a23p/mixedinplanetlockdowniii/ archive.org/details/a23planetlockdown

A23PlanetLockdown - Mixed In Planet Lockdown III (Acid Allstar Cave Rave)
Live Mix/Remix Session by A23P
Recorded ON the PANdemic seas of COVfefe downin Corona while grindin a Kether Virus
May 07, 2020 (West Palm Beach, Florida)
#171303Trinity

https://www.beatport.com/label/acid-all-stars/11347
https://acida23p.bandcamp.com
*all the allstar acid will be freed to public once the jubilee has completed*

https://caveraverecordings.bandcamp.com

All source material from Acid Allstars Recordings and Cave Rave Recordings artist w/ exception to Skylab 2000 "Auburn 2000 (Taylor's OneInMetropolis Mix)" [JDJ Recrodings] (w rights reserved to original artist):
I. Acidbat - Goetia23
II. Bathsh3ba - Twist
III. Computer Controlled - 113 Acid (Evilkult Mix)
IV. The Unthuziast - Xorg
V. A23P - eROTiek
VI. Naught - RevWaste
VII. Chase Dobson - Time Zone Trippin
VIII. Rob Acid - Acid Train
IX. Oedla - Acid Candy
X. Mondo Obscura - It Iz
XI. Not Breathing - Acid Pueblo
XII. Bathsh3ba - Ashemushik
XIII. Acidbat - Pops
XIV. The Ninja - I Want To Speak In Technicolor
XV. Dicrylium - Station
XVI. Zarbizzar - 3773 (A23P's DisTension Mix)
XVII. Skylab 2000 - Auburn (Taylor's Oneinmetropolis Mix)]]> archive.org/details/a23planetlockdown

A23PlanetLockdown - Mixed In Planet Lockdown III (Acid Allstar Cave Rave)
Live Mix/Remix Session by A23P
Recorded ON the PANdemic seas of COVfefe downin Corona while grindin a Kether Virus
May 07, 2020 (West Palm Beach, Florida)
#171303Trinity

https://www.beatport.com/label/acid-all-stars/11347
https://acida23p.bandcamp.com
*all the allstar acid will be freed to public once the jubilee has completed*

https://caveraverecordings.bandcamp.com

All source material from Acid Allstars Recordings and Cave Rave Recordings artist w/ exception to Skylab 2000 "Auburn 2000 (Taylor's OneInMetropolis Mix)" [JDJ Recrodings] (w rights reserved to original artist):
I. Acidbat - Goetia23
II. Bathsh3ba - Twist
III. Computer Controlled - 113 Acid (Evilkult Mix)
IV. The Unthuziast - Xorg
V. A23P - eROTiek
VI. Naught - RevWaste
VII. Chase Dobson - Time Zone Trippin
VIII. Rob Acid - Acid Train
IX. Oedla - Acid Candy
X. Mondo Obscura - It Iz
XI. Not Breathing - Acid Pueblo
XII. Bathsh3ba - Ashemushik
XIII. Acidbat - Pops
XIV. The Ninja - I Want To Speak In Technicolor
XV. Dicrylium - Station
XVI. Zarbizzar - 3773 (A23P's DisTension Mix)
XVII. Skylab 2000 - Auburn (Taylor's Oneinmetropolis Mix)]]> 4721218 no no Mon, 11 May 2020 22:18:13 +0200 2020-05-11T22:18:13+02:00 1:30:33 https://hearthis.at/a23p/mixedinplanetlockdowniv/ Live Mix/Remix Session by A23P
Recorded ON the PANdemic seas of COVfefe poppin and dislockin a COVid with a hop over Planet Lockdown 4 the 19 sohip
May 19, 2020 (West Palm Beach, Florida)
#SoarinSauran

originally hosted (w tracklist available) at:
https://archive.org/details/a23planetlockdown]]> Live Mix/Remix Session by A23P
Recorded ON the PANdemic seas of COVfefe poppin and dislockin a COVid with a hop over Planet Lockdown 4 the 19 sohip
May 19, 2020 (West Palm Beach, Florida)
#SoarinSauran

originally hosted (w tracklist available) at:
https://archive.org/details/a23planetlockdown]]> 4757253 no no Wed, 20 May 2020 05:56:12 +0200 2020-05-20T05:56:12+02:00 1:27:54 https://hearthis.at/a23p/mixedinplanetlockdownv/ Live Mix/Remix Session by A23P
Recorded ON the PANdemic seas of COVfefe standin atop a COVid on Planet Lockdown
August 10, 2020 (West Palm Beach, Florida)
#OnOKnee

Originally Live Broadast As:
#onair
"A23P's Today's Letter is J, for Jason's Jungle B-Day Mix" on https://hearthis.at/a23p

in loving thought and appreciation of "J"

also available at:
https://archive.org/details/a23planetlockdown]]> Live Mix/Remix Session by A23P
Recorded ON the PANdemic seas of COVfefe standin atop a COVid on Planet Lockdown
August 10, 2020 (West Palm Beach, Florida)
#OnOKnee

Originally Live Broadast As:
#onair
"A23P's Today's Letter is J, for Jason's Jungle B-Day Mix" on https://hearthis.at/a23p

in loving thought and appreciation of "J"

also available at:
https://archive.org/details/a23planetlockdown]]> 5028261 no no Tue, 11 Aug 2020 04:50:38 +0200 2020-08-11T17:07:03+02:00 1:47:08 https://hearthis.at/a23p/a23liveoutofplanetlockdown/
Live instrument and synthesis improv performance
Originally comprised of 3 performances with brief breaks inbetween, this recording features only most of the second performance.
The first performance was of a more Ambient/Noise/Experimental Sound Design type nature.
Second, which this recording features, was more "rave"/"post rave" and "ACID" centric.
The third and final performance was of a more Downtempo Expermental Acid jazz and IDM like nature.

Streaming difficulties were had the entire time, resulting in audio glitches rendering the entire first portion of the stream rather unlistenable. While the issues did persist through the second set featured here, the captured material was thought to be "listenable" enough in spite of the glitches. Unforunately, the only recording taken of the performances was captured on the server side of hearthis.at and no local non-streamed recording was taken. The recording ends prematurely as connection to the server ultimately was dropped in the middle of the performance.

To keep in line with the issues that were being experienced at the time, the recording here picks up right after the first performance had concluded. Prior to the second performance beginning, a remix of "The Revolution Will Not Be Televised" by Gil Scott Heron is played. This had been played in between each live performance beginning and ending.

A23P "Travel Rig" was used during the performance as it was done away from the main studio. The instruments in use were:
Roland TR-8S
Roland TB-03
Roland MC-707]]>
Live instrument and synthesis improv performance
Originally comprised of 3 performances with brief breaks inbetween, this recording features only most of the second performance.
The first performance was of a more Ambient/Noise/Experimental Sound Design type nature.
Second, which this recording features, was more "rave"/"post rave" and "ACID" centric.
The third and final performance was of a more Downtempo Expermental Acid jazz and IDM like nature.

Streaming difficulties were had the entire time, resulting in audio glitches rendering the entire first portion of the stream rather unlistenable. While the issues did persist through the second set featured here, the captured material was thought to be "listenable" enough in spite of the glitches. Unforunately, the only recording taken of the performances was captured on the server side of hearthis.at and no local non-streamed recording was taken. The recording ends prematurely as connection to the server ultimately was dropped in the middle of the performance.

To keep in line with the issues that were being experienced at the time, the recording here picks up right after the first performance had concluded. Prior to the second performance beginning, a remix of "The Revolution Will Not Be Televised" by Gil Scott Heron is played. This had been played in between each live performance beginning and ending.

A23P "Travel Rig" was used during the performance as it was done away from the main studio. The instruments in use were:
Roland TR-8S
Roland TB-03
Roland MC-707]]> 5172216 no no Thu, 01 Oct 2020 01:02:34 +0200 2020-10-01T20:43:04+02:00 1:44:03 https://hearthis.at/a23p/acrux-live-studio-take/ (forget the name of that piece, but it was done right before or after this one and released freely released through creative commons)

If I recall correctly, the gear used at the time was a FutureRetro 777, FutureRetro XS, and Roland MC-505.]]> (forget the name of that piece, but it was done right before or after this one and released freely released through creative commons)

If I recall correctly, the gear used at the time was a FutureRetro 777, FutureRetro XS, and Roland MC-505.]]> 6484591 no no Tue, 04 Jan 2022 19:10:50 +0100 2022-01-04T19:10:50+01:00 10:43 https://hearthis.at/a23p/flow/ 6330570 no no Wed, 20 Oct 2021 21:00:40 +0200 2021-10-20T21:00:40+02:00 5:33 https://hearthis.at/a23p/29june2021/ Recorded 29 June 2021
After further development of patches and other things first shown on June 01 (see here: https://hearthis.at/a23p/01june2021/ ) another test driving of designs for new DnB influenced approaches to live improv play.
Progressing from the last entry, quite a few more bass patches were developed though the ones utilized here for the most part stick to ones used previously (though they've been refined some from their previous state). A good number of new pads and "leads" were also made and a few of those new designs were used during this session. Another drum kit was also started, so there are now 2 drum kits, though only one of them is generally completed.]]> Recorded 29 June 2021
After further development of patches and other things first shown on June 01 (see here: https://hearthis.at/a23p/01june2021/ ) another test driving of designs for new DnB influenced approaches to live improv play.
Progressing from the last entry, quite a few more bass patches were developed though the ones utilized here for the most part stick to ones used previously (though they've been refined some from their previous state). A good number of new pads and "leads" were also made and a few of those new designs were used during this session. Another drum kit was also started, so there are now 2 drum kits, though only one of them is generally completed.]]> 6038918 no no Wed, 30 Jun 2021 05:49:30 +0200 2021-06-30T05:49:30+02:00 37:34 https://hearthis.at/a23p/theeclipse/
Gear:
Roland MC-707, Alesis Fusion (as controller only), and MIXXX]]>
Gear:
Roland MC-707, Alesis Fusion (as controller only), and MIXXX]]> 6776830 no no Wed, 25 May 2022 20:34:28 +0200 2022-05-25T20:34:28+02:00 1:16:59 https://hearthis.at/a23p/eclipsetheday/ 14 December 2020

Gear/Instruments used:
Roland MC-707
Vital (vital.audio)

pictured art by: Philippe Cazaumayou]]> 14 December 2020

Gear/Instruments used:
Roland MC-707
Vital (vital.audio)

pictured art by: Philippe Cazaumayou]]> 5408586 no no Mon, 14 Dec 2020 23:08:18 +0100 2020-12-14T23:08:18+01:00 10:13 https://hearthis.at/a23p/dynamicevo/
Instruments in use:
Roland MC-707

available with extras at:
https://archive.org/details/a23pdynamicevolution

extras include:
1. A23P Live Performance Recordings of Dynamic Evolution (Performed/Recorded Live December 01, 2020) and Empathse (Performed/Recorded Live October 15, 2020)

2. Stem track Recordings from A23P Live Performance of Dynamic Evolution
(178 BPM) and Empathse (Free Flowing/No BPM)

3. All Recorded MIDI File Information from Dynamic Evolution live performance

4. Roland MC-707 Project File for Dynamic Evolution performance
(contains a number of original Samples, Synth Patch Sound Designs, Sequences, and more loadable on the Roland MC-707 and MC-101)]]>
Instruments in use:
Roland MC-707

available with extras at:
https://archive.org/details/a23pdynamicevolution

extras include:
1. A23P Live Performance Recordings of Dynamic Evolution (Performed/Recorded Live December 01, 2020) and Empathse (Performed/Recorded Live October 15, 2020)

2. Stem track Recordings from A23P Live Performance of Dynamic Evolution
(178 BPM) and Empathse (Free Flowing/No BPM)

3. All Recorded MIDI File Information from Dynamic Evolution live performance

4. Roland MC-707 Project File for Dynamic Evolution performance
(contains a number of original Samples, Synth Patch Sound Designs, Sequences, and more loadable on the Roland MC-707 and MC-101)]]> 5361704 no no Wed, 02 Dec 2020 15:50:13 +0100 2020-12-02T15:50:13+01:00 45:09 https://hearthis.at/a23p/empathse/ Released on December 21, 2020
featured on the A23P release: "Dynamic Evolution"

available with extras at:
archive.org/details/a23pdynamicevolution

Extras include
1. A23P Live Performance Recordings of Dynamic Evolution (Performed/Recorded Live December 01, 2020) and Empathse (Performed/Recorded Live October 15, 2020)

2. Stem track Recordings from A23P Live Performance of Dynamic Evolution
(178 BPM) and Empathse (Free Flowing/No BPM)

3. All Recorded MIDI File Information from Dynamic Evolution live performance

4. Roland MC-707 Project File for Dynamic Evolution performance
(contains a number of original Samples, Synth Patch Sound Designs, Sequences, and more loadable on the Roland MC-707 and MC-101)]]> Released on December 21, 2020
featured on the A23P release: "Dynamic Evolution"

available with extras at:
archive.org/details/a23pdynamicevolution

Extras include
1. A23P Live Performance Recordings of Dynamic Evolution (Performed/Recorded Live December 01, 2020) and Empathse (Performed/Recorded Live October 15, 2020)

2. Stem track Recordings from A23P Live Performance of Dynamic Evolution
(178 BPM) and Empathse (Free Flowing/No BPM)

3. All Recorded MIDI File Information from Dynamic Evolution live performance

4. Roland MC-707 Project File for Dynamic Evolution performance
(contains a number of original Samples, Synth Patch Sound Designs, Sequences, and more loadable on the Roland MC-707 and MC-101)]]> 5434686 no no Tue, 22 Dec 2020 20:51:26 +0100 2020-12-22T20:51:26+01:00 15:03 https://hearthis.at/a23p/4ambiance8/ Produced, Performed, and Recorded on 2021 April 8

perhaps a worthwile compliemnt (also published on 2021 April 8)
https://www.vice.com/en/article/v7e4g3/found-page-25-of-the-cias-gateway-report-on-astral-projection]]> Produced, Performed, and Recorded on 2021 April 8

perhaps a worthwile compliemnt (also published on 2021 April 8)
https://www.vice.com/en/article/v7e4g3/found-page-25-of-the-cias-gateway-report-on-astral-projection]]> 5816953 no no Fri, 09 Apr 2021 17:30:17 +0200 2021-04-09T17:30:17+02:00 1:01:39 https://hearthis.at/a23p/noisearchitecturesessions/ additional recording takes were taken to play additional lines over the original sessions
light editing and various post production processes were then taken.

Recorded between 2021 November 16-17

Original Sound Design, Perfomance, and Production by Alien Nesby

High Audio Uncompressed Audio Version available at
https://archive.org/details/a23pNoiseArchitectureSessions]]> additional recording takes were taken to play additional lines over the original sessions
light editing and various post production processes were then taken.

Recorded between 2021 November 16-17

Original Sound Design, Perfomance, and Production by Alien Nesby

High Audio Uncompressed Audio Version available at
https://archive.org/details/a23pNoiseArchitectureSessions]]> 6401445 no no Thu, 18 Nov 2021 06:50:27 +0100 2021-11-18T06:50:27+01:00 1:39:25 https://hearthis.at/a23p/febrandoms2020/
Gear used:
Alesis Fusion (6HD)
Roland TR-8
Roland TB-03
Roland V-Synth GT
Mackie Onyx 1640i
XPCT.OS

General Overall Synthesis Architecture:
TR8 -> Onyx
TB03 -> Onyx
VsynthGT -> Onyx
Fusion -> Onyx
Onyx (Sub 1/2) -> TR8
Onyx (send 1) -> VsynthGT
Onyx (send 2) -> TC Electronic M350 (DSP Delay/Reverb Effects Module)
Onyx (send 3) -> Behringer Virtualizer Pro (DSP MultiEffects Module)
XPCT.OS -> Onyx (Tape In)
XPCT.OS -> TR8
Onyx -> Master Out

*ending rant by: Matt of Quantum CONscience
http://www.quantumofconscience.com/*

All Live Writing, Sound Design, and Musical Performance by A23P.

A23P is Alien Nesby]]>
Gear used:
Alesis Fusion (6HD)
Roland TR-8
Roland TB-03
Roland V-Synth GT
Mackie Onyx 1640i
XPCT.OS

General Overall Synthesis Architecture:
TR8 -> Onyx
TB03 -> Onyx
VsynthGT -> Onyx
Fusion -> Onyx
Onyx (Sub 1/2) -> TR8
Onyx (send 1) -> VsynthGT
Onyx (send 2) -> TC Electronic M350 (DSP Delay/Reverb Effects Module)
Onyx (send 3) -> Behringer Virtualizer Pro (DSP MultiEffects Module)
XPCT.OS -> Onyx (Tape In)
XPCT.OS -> TR8
Onyx -> Master Out

*ending rant by: Matt of Quantum CONscience
http://www.quantumofconscience.com/*

All Live Writing, Sound Design, and Musical Performance by A23P.

A23P is Alien Nesby]]> Onyx TB03 -> Onyx VsynthGT -> Onyx Fusion -> Onyx Onyx (Sub 1/2) -> TR8 Onyx (send 1) -> VsynthGT Onyx (send 2) -> TC Electronic M350 (DSP Delay/Reverb Effects Module) Onyx (send 3) -> Behringer Virtualizer Pro (DSP MultiEffects Module) XPCT.OS -> Onyx (Tape In) XPCT.OS -> TR8 Onyx -> Master Out *ending rant by: Matt of Quantum CONscience http://www.quantumofconscience.com/* All Live Writing, Sound Design, and Musical Performance by A23P. A23P is Alien Nesby]]> 4413899 no no Mon, 24 Feb 2020 06:26:19 +0100 2020-02-24T06:26:19+01:00 1:04:41 https://hearthis.at/a23p/sdp10b/ 6666527 no no Wed, 06 Apr 2022 18:02:45 +0200 2022-04-06T18:02:45+02:00 5:20 https://hearthis.at/a23p/sounddesignploration6/ 6639462 no no Thu, 24 Mar 2022 23:26:11 +0100 2022-03-24T23:26:11+01:00 6:33 https://hearthis.at/a23p/shuffledawn/
Emu Emulator X3 is freely publicly available from:
https://archive.org/details/setup-emulator-x-3-x-64-v-3.0.0

Krakli Arminator 2 is freely publicly available from:
http://www.krakliplugins.com/Plugins.aspx

Fellusive Nettle is freely publicly available from
https://www.kvraudio.com/product/nettle-by-fellusive
and
https://fellusive.gumroad.com/

Package of original samples created for oscillator use, MC-707 project file, and original patches created for the MC-707, Emulator X3, Hybrid 3, Arminator 2, and Nettle to be released publicly soon.

All sound design, performance by Alien Nesby]]>
Emu Emulator X3 is freely publicly available from:
https://archive.org/details/setup-emulator-x-3-x-64-v-3.0.0

Krakli Arminator 2 is freely publicly available from:
http://www.krakliplugins.com/Plugins.aspx

Fellusive Nettle is freely publicly available from
https://www.kvraudio.com/product/nettle-by-fellusive
and
https://fellusive.gumroad.com/

Package of original samples created for oscillator use, MC-707 project file, and original patches created for the MC-707, Emulator X3, Hybrid 3, Arminator 2, and Nettle to be released publicly soon.

All sound design, performance by Alien Nesby]]> 6314344 no no Thu, 14 Oct 2021 17:26:21 +0200 2021-10-14T17:26:21+02:00 43:02 https://hearthis.at/a23p/sardustbabylon/ https://acida23p.bandcamp.com/album/xx-97-17
Written & Produced by Alien Nesby.

Further detailed notproduction and process notes were originally offered via social network profile at:
https://joindiaspora.com/people/92fec0696071eca3

Gear:
Roland V-Synth GT (also acted as audio interface)
MacBook Pro running OS 10.7

Software:
Reaper (DAW)

Had come to sound checking the V after patching it in at a bands studio (Lee Harvey Cartel). There was a drumming and bass patch I'd made years ago while developing the "Erotiek" single (Acid All Stars Recordings) and there was also a pad patch I'd made some years ago. Out of these two patches I formed a new patch that was based off both the prior two and began playing some riffs to sound check. Odd moment where mere sound checking of an instrument immediately led to, "I have an idea".
I further refined the new patch which yielded a final result of a single patch with a rather odd amount of independent voice program allocations set across different regions of the key range. On my lower ends of octave range there were a number of different granular percussive/drumming timbres and/or phrase like things along with a bit more than an octaves worth of voices above them dedicated to a physical modeled bass timbre I'd made. These ends constituted basically ends of the patch that had originally been made for "Erotiek". Above these, I had about an octaves worth of range of voices dedicated to the original pad timbre I'd brought up, and above this I developed another timbre (sort of this guitar like sounding thing), and finally above that I set another voice allocation area dedicated to more of a lead type sound.
In it's entirety, I could play drum lines and a bass line with one hand in the lower register (granted I had to pull some odd finger stretches and the real reason I went with a simple two note bass line was due to the fact while thumb would largely be stretched one direction playing bass lines, the pinky and ring fingers were stretched completely the opposite direction to handle things drumming. Meanwhile, the other hand was free to deal with playing pads, leads, and occasionally dealing with modulation controls.
With this patch in place, record button was hit on the DAW (Reaper) to record both MIDI actions taking place on the V, the audio coming out of the V, and then I quite literally just made stuff up and improved spanning basically the time heard.

After this initial take, 3 more takes were taken individually. One take relating to a diversified voice allocation granular voice and "moan" patch I developed (this new composite was also based on past "Erotiek" patches), another that related to an "acid" like synth bass patch I'd made, and finally yet another patch that yielded a timbre that in someways was pad like and in other ways kinda piano like.
Like the original take, these further takes worked through a process of just recording the MIDI and audio data of a raw take.

Finally, just for future ease of production handling purposes, I split the MIDI data up from the original take into their own independent tracks rather than being held all in one.....
So for example, the key range that dealt with the drumming related voice allocations got it's own track, the key range that dealt with the primary bass timbre received it's own track, the pad key range was placed on it's own track, and so on. After breaking down the patch play into tracks that corresponded to individual voice allocation regions, I re-recorded each voice allocation region independently as it's own audio track.

There were some very minor edits done in the DAW after this, but suffice it to say the edits done were so minimal that one could see to completing them in minutes.
In essence, there was more time spent making sure the piece could easily be worked with in FUTURE audio and/or writing post production than there was spent actually writing or recording the piece.
*9 minutes per improved take=36 minutes total writing/recording time with the majority of the work having been done in the first 9 minutes. However, re-recording voice allocations independently for the main patch yielded another 36 minutes alone [doubling the time spent], breaking down the MIDI sections was another few minutes, etc. Basically, had IT NOT been for giving time to making FUTURE post production easy to conduct, the whole piece was written and produced to it's current state in just the better part of an hour. As I'd already done much of the sound design (and just modified it), there was probably about another hour done in that area, but once a patch is done (aka an instrument made) it's there for future use and does not need to be made again (if anything it may just need minor, if any, adjustment to accommodate any new acoustic or otherwise signal condition environments it's thrown into)

While this recording is not the full on original free hand played (there were no sequencers involved) take, outside of 3 additional takes that were added to the piece, the difference to be heard between it and what is being offered here are negligible.

There is a screenshot offering a glimpse of what the actual DAW environment looked like in general and a second screenshot of the two tracks that captured the MIDI and audio data of the original free handed play.]]> https://acida23p.bandcamp.com/album/xx-97-17
Written & Produced by Alien Nesby.

Further detailed notproduction and process notes were originally offered via social network profile at:
https://joindiaspora.com/people/92fec0696071eca3

Gear:
Roland V-Synth GT (also acted as audio interface)
MacBook Pro running OS 10.7

Software:
Reaper (DAW)

Had come to sound checking the V after patching it in at a bands studio (Lee Harvey Cartel). There was a drumming and bass patch I'd made years ago while developing the "Erotiek" single (Acid All Stars Recordings) and there was also a pad patch I'd made some years ago. Out of these two patches I formed a new patch that was based off both the prior two and began playing some riffs to sound check. Odd moment where mere sound checking of an instrument immediately led to, "I have an idea".
I further refined the new patch which yielded a final result of a single patch with a rather odd amount of independent voice program allocations set across different regions of the key range. On my lower ends of octave range there were a number of different granular percussive/drumming timbres and/or phrase like things along with a bit more than an octaves worth of voices above them dedicated to a physical modeled bass timbre I'd made. These ends constituted basically ends of the patch that had originally been made for "Erotiek". Above these, I had about an octaves worth of range of voices dedicated to the original pad timbre I'd brought up, and above this I developed another timbre (sort of this guitar like sounding thing), and finally above that I set another voice allocation area dedicated to more of a lead type sound.
In it's entirety, I could play drum lines and a bass line with one hand in the lower register (granted I had to pull some odd finger stretches and the real reason I went with a simple two note bass line was due to the fact while thumb would largely be stretched one direction playing bass lines, the pinky and ring fingers were stretched completely the opposite direction to handle things drumming. Meanwhile, the other hand was free to deal with playing pads, leads, and occasionally dealing with modulation controls.
With this patch in place, record button was hit on the DAW (Reaper) to record both MIDI actions taking place on the V, the audio coming out of the V, and then I quite literally just made stuff up and improved spanning basically the time heard.

After this initial take, 3 more takes were taken individually. One take relating to a diversified voice allocation granular voice and "moan" patch I developed (this new composite was also based on past "Erotiek" patches), another that related to an "acid" like synth bass patch I'd made, and finally yet another patch that yielded a timbre that in someways was pad like and in other ways kinda piano like.
Like the original take, these further takes worked through a process of just recording the MIDI and audio data of a raw take.

Finally, just for future ease of production handling purposes, I split the MIDI data up from the original take into their own independent tracks rather than being held all in one.....
So for example, the key range that dealt with the drumming related voice allocations got it's own track, the key range that dealt with the primary bass timbre received it's own track, the pad key range was placed on it's own track, and so on. After breaking down the patch play into tracks that corresponded to individual voice allocation regions, I re-recorded each voice allocation region independently as it's own audio track.

There were some very minor edits done in the DAW after this, but suffice it to say the edits done were so minimal that one could see to completing them in minutes.
In essence, there was more time spent making sure the piece could easily be worked with in FUTURE audio and/or writing post production than there was spent actually writing or recording the piece.
*9 minutes per improved take=36 minutes total writing/recording time with the majority of the work having been done in the first 9 minutes. However, re-recording voice allocations independently for the main patch yielded another 36 minutes alone [doubling the time spent], breaking down the MIDI sections was another few minutes, etc. Basically, had IT NOT been for giving time to making FUTURE post production easy to conduct, the whole piece was written and produced to it's current state in just the better part of an hour. As I'd already done much of the sound design (and just modified it), there was probably about another hour done in that area, but once a patch is done (aka an instrument made) it's there for future use and does not need to be made again (if anything it may just need minor, if any, adjustment to accommodate any new acoustic or otherwise signal condition environments it's thrown into)

While this recording is not the full on original free hand played (there were no sequencers involved) take, outside of 3 additional takes that were added to the piece, the difference to be heard between it and what is being offered here are negligible.

There is a screenshot offering a glimpse of what the actual DAW environment looked like in general and a second screenshot of the two tracks that captured the MIDI and audio data of the original free handed play.]]> 1269171 no no Fri, 28 Jul 2017 09:29:05 +0200 2017-07-28T09:29:05+02:00 9:15 https://hearthis.at/a23p/live-30-07-202000-25/ A23P Live Mix 7 11+11
Live Mixing Session by A23P (aka Alien Nesby) of Acid All Stars Recordings, Cave Rave Recordings, and Liquid Sky Berlin.

Wacky World is dumb and also stupid
but also carries potential for learning and entertainment
so F IT....
what can we learn and let us be entertained]]> A23P Live Mix 7 11+11
Live Mixing Session by A23P (aka Alien Nesby) of Acid All Stars Recordings, Cave Rave Recordings, and Liquid Sky Berlin.

Wacky World is dumb and also stupid
but also carries potential for learning and entertainment
so F IT....
what can we learn and let us be entertained]]> 4994409 no no Thu, 30 Jul 2020 02:25:03 +0200 2020-07-30T02:25:03+02:00 1:12:18 https://hearthis.at/a23p/live-29-05-202020-58/ Recorded May 29, 2020
The 1st Hour serves as a musical comment on current
Starting around the 2nd Hour focuses modern underground pop are taken
Starting around the 3rd Hour a more rave/post rave dance approach to mixing/remixing is undertaken.

Mic issues occurred that resulted in vocal commentaries coming in much lower than intended. For the most part, these commentaries simply reviewed music that had been played during the 1st and 2nd hour.
Other technical issues came up, particularly during the 3rd hour, and ultimately the broadcast ends prematurely due to them.

Full song track/source material listing:
**SEGMENT I: MESSage (runs approx 00:00:00 - 01:15:00) **
I. 2xirtam - The Taming Of Infinities
II. Ministry - Grace
III. Screeching Weasel - I Believe In UFOs
IV. The Dead Milkmen - Stuart
V. Meg Lee Chin - England's Mask
VI. Ministry (feat. William S Burroughs) - Quick Fix
VII. King Missle - America Kicks Ass
VIII. Meg Lee Chin - Nutopia
IX. Dead Kennedy's - Riot
X. Crass - Shaved Women
XI. Meg Lee Chin - Celeberity Saviour
XII. The Peculiar Pretzelmen - R.F.B.
XIII. Method Man - Judgement Day
XIV. Ministry - Corrosion
XV. Ministry - Fucked
XVI. Union Jack - There Will Be No Armageddon

**BREAK**
XVII. Orbital - Dwr Budr

**SEGMENT II: Under Pop (runs approx 01:25:00 - 02:32:00)**
XVIII. Client - Pornography (The Zip Alien Sex Mix)
XIX. Metafive - Don't Move
XX. Client - Don't Call Me Baby
XXI. Towa Tei (feat. Ano) - REM (You'll Melt More)
XXII. Tetrakroma - Street Walker
XXIII. Le Couleur - Voyage Amoureux
XXIV. Church Fire - Gay Sex
XXV. Mirror Fears - WOW
XXVI. Die Wilde Jagd - Himmelfahrten
XXVII. 65daysofstatic - The Conspiracy Of Seeds
XXVIII. Vitamineless - The Real Folk Blues
XXIX. Suchmos - 808

**BREAK**
XXX. Metapulse - Digital Graveyard

**SEGMENT III: Acid Star (runs approx: 02:46:00 to end)**
XXXI. Air Liquide - Negative Saucers
XXXII. Bathsh3ba - Twist
XXXIII. Green Velvet - Preacher Man
XXXIV. Burger Industries - Funk The Industry
XXXV. Silent Breed - Amazing Space Funk
XXXVI. Cari Lekebusch - Lost In The Fog
XXXV. Plasticman - Spaz
XXXVI. Rob Acid - Acid Train
XXXVII. DJ Pierre's Doomsday Project - Atom Bomb (Doomsday Mix)
XXXVIII. Jerzz - De Zuigende Zuigster
XXXIX. Prototype 909 - Bobbie Sox
XXXX. Andreas Kauffelt - The Final
XXXXI. Whodini - The Freaks Come Out (Jackal And Hyde Mix)
XXXXII. Dynamik Bass System - Arabian Dreams
XXXXIII. The Dexorcist - Access Code
XXXXIV. Metro LA - To A Nation Rockin (On A Long Journey)
XXXXV. Basco - The Beat Is Over
XXXXVI. Dirty Blonde and Dave The Drummer - The Ugly
XXXXVII. Terminator/Benelux - The Warrant]]> Recorded May 29, 2020
The 1st Hour serves as a musical comment on current
Starting around the 2nd Hour focuses modern underground pop are taken
Starting around the 3rd Hour a more rave/post rave dance approach to mixing/remixing is undertaken.

Mic issues occurred that resulted in vocal commentaries coming in much lower than intended. For the most part, these commentaries simply reviewed music that had been played during the 1st and 2nd hour.
Other technical issues came up, particularly during the 3rd hour, and ultimately the broadcast ends prematurely due to them.

Full song track/source material listing:
**SEGMENT I: MESSage (runs approx 00:00:00 - 01:15:00) **
I. 2xirtam - The Taming Of Infinities
II. Ministry - Grace
III. Screeching Weasel - I Believe In UFOs
IV. The Dead Milkmen - Stuart
V. Meg Lee Chin - England's Mask
VI. Ministry (feat. William S Burroughs) - Quick Fix
VII. King Missle - America Kicks Ass
VIII. Meg Lee Chin - Nutopia
IX. Dead Kennedy's - Riot
X. Crass - Shaved Women
XI. Meg Lee Chin - Celeberity Saviour
XII. The Peculiar Pretzelmen - R.F.B.
XIII. Method Man - Judgement Day
XIV. Ministry - Corrosion
XV. Ministry - Fucked
XVI. Union Jack - There Will Be No Armageddon

**BREAK**
XVII. Orbital - Dwr Budr

**SEGMENT II: Under Pop (runs approx 01:25:00 - 02:32:00)**
XVIII. Client - Pornography (The Zip Alien Sex Mix)
XIX. Metafive - Don't Move
XX. Client - Don't Call Me Baby
XXI. Towa Tei (feat. Ano) - REM (You'll Melt More)
XXII. Tetrakroma - Street Walker
XXIII. Le Couleur - Voyage Amoureux
XXIV. Church Fire - Gay Sex
XXV. Mirror Fears - WOW
XXVI. Die Wilde Jagd - Himmelfahrten
XXVII. 65daysofstatic - The Conspiracy Of Seeds
XXVIII. Vitamineless - The Real Folk Blues
XXIX. Suchmos - 808

**BREAK**
XXX. Metapulse - Digital Graveyard

**SEGMENT III: Acid Star (runs approx: 02:46:00 to end)**
XXXI. Air Liquide - Negative Saucers
XXXII. Bathsh3ba - Twist
XXXIII. Green Velvet - Preacher Man
XXXIV. Burger Industries - Funk The Industry
XXXV. Silent Breed - Amazing Space Funk
XXXVI. Cari Lekebusch - Lost In The Fog
XXXV. Plasticman - Spaz
XXXVI. Rob Acid - Acid Train
XXXVII. DJ Pierre's Doomsday Project - Atom Bomb (Doomsday Mix)
XXXVIII. Jerzz - De Zuigende Zuigster
XXXIX. Prototype 909 - Bobbie Sox
XXXX. Andreas Kauffelt - The Final
XXXXI. Whodini - The Freaks Come Out (Jackal And Hyde Mix)
XXXXII. Dynamik Bass System - Arabian Dreams
XXXXIII. The Dexorcist - Access Code
XXXXIV. Metro LA - To A Nation Rockin (On A Long Journey)
XXXXV. Basco - The Beat Is Over
XXXXVI. Dirty Blonde and Dave The Drummer - The Ugly
XXXXVII. Terminator/Benelux - The Warrant]]> 4803347 no no Fri, 29 May 2020 22:58:28 +0200 2020-05-29T22:58:28+02:00 4:13:57 https://hearthis.at/a23p/conjunction/ 5429063 no no Sun, 20 Dec 2020 23:57:16 +0100 2020-12-20T23:57:16+01:00 3:30 https://hearthis.at/a23p/01june2021/ Recorded 01 June 2021

Photo Work by Caroline Erre
Lust Frament II
https://erre-photographiste.com/

Morning Ritual (Noise Architecture Meditation Samadhi Magick):
took new drum kit, bass, n few other patch designs for a new DnB influenced approaches to live improv play out for a test drive. Only 6 root patch designs (and actually it's really kinda more like 3) developed thus far.... 1 almost finished but still currently being worked on drum kit (which has 2 different parts to it), 2 basses (both slight variants of 1 general patch idea), 2 "pads", and one lead/piano inspired patch.
The 6 patches are split between 5 timbre and live sequencing channels/tracks.
2 channels for the drum kit, 1 for bass, 1 for pads, 1 for leads]]> Recorded 01 June 2021

Photo Work by Caroline Erre
Lust Frament II
https://erre-photographiste.com/

Morning Ritual (Noise Architecture Meditation Samadhi Magick):
took new drum kit, bass, n few other patch designs for a new DnB influenced approaches to live improv play out for a test drive. Only 6 root patch designs (and actually it's really kinda more like 3) developed thus far.... 1 almost finished but still currently being worked on drum kit (which has 2 different parts to it), 2 basses (both slight variants of 1 general patch idea), 2 "pads", and one lead/piano inspired patch.
The 6 patches are split between 5 timbre and live sequencing channels/tracks.
2 channels for the drum kit, 1 for bass, 1 for pads, 1 for leads]]> 5958144 no no Tue, 01 Jun 2021 14:13:20 +0200 2021-06-01T14:13:20+02:00 39:25 https://hearthis.at/a23p/strokeherface/ Originally realsed in 2009]]> Originally realsed in 2009]]> 5089042 no no Wed, 02 Sep 2020 22:01:30 +0200 2020-09-02T22:01:30+02:00 2:34 https://hearthis.at/a23p/7octoberjam/ All live synthesis sound design, live sequence programming, and live play.
No (phrase) samples or anything remotely like that.
(though there were a number of simpler sample based waveforms/wavetables used as oscillators)

Along with the audio, the majority of all this was captured in MIDI....
may turn back to some of this for further development later.

Gear used
Roland TR8S and Roland MC-707]]> All live synthesis sound design, live sequence programming, and live play.
No (phrase) samples or anything remotely like that.
(though there were a number of simpler sample based waveforms/wavetables used as oscillators)

Along with the audio, the majority of all this was captured in MIDI....
may turn back to some of this for further development later.

Gear used
Roland TR8S and Roland MC-707]]> 5192825 no no Thu, 08 Oct 2020 04:25:21 +0200 2020-10-08T04:25:21+02:00 32:19 https://hearthis.at/a23p/24/ One of three vocal/lyrical takes that were done.]]> One of three vocal/lyrical takes that were done.]]> 300488 no no Fri, 07 Aug 2015 00:00:00 +0200 2015-08-08T02:09:04+02:00 8:38 https://hearthis.at/a23p/a23p2020pre/ Preview of A23P musical works in development for 2020

5 works are included
The works, as currently presented were a result of first a live improv writing and production session. The resulting captured MIDI and Audio data was then added, subtracted from, or otherwise refined toward distillation as more individual "song" components.
Written/Produced between Jan 23 - 28 2020
The works presented here are considered INcomplete.

The completed works partially appear on the A23P EP, "A2020"
available at:
https://caveraverecordings.bandcamp.com/album/acid2020

A23P is Alien Nesby]]> Preview of A23P musical works in development for 2020

5 works are included
The works, as currently presented were a result of first a live improv writing and production session. The resulting captured MIDI and Audio data was then added, subtracted from, or otherwise refined toward distillation as more individual "song" components.
Written/Produced between Jan 23 - 28 2020
The works presented here are considered INcomplete.

The completed works partially appear on the A23P EP, "A2020"
available at:
https://caveraverecordings.bandcamp.com/album/acid2020

A23P is Alien Nesby]]> 4323212 no no Wed, 29 Jan 2020 20:39:07 +0100 2020-01-29T20:39:07+01:00 46:01 https://hearthis.at/a23p/aa18-a23p-erotiek/ Cat: #AA18 A23P & Dave Stephens Vol 2
eROTiek

An A23P original. Forays into dark breaks, persistent bass, glitch, heavily dispersed with building acid.
release included a remix by Dave Stephens.
eROTiek (David Goliath Remix) available here:
www.beatport.com/release/erotiek/345230

Acid AllStars Recordings Release AA17
A23P & Dave Stephens Vol. 1
Girl Talk
Track 2 Dave Stephens - Girl Talk (A23P's 420=7 mix)
available for free streaming and download purchase here:
A23p – Girltalk-a23ps-420-7-mix
Track 1 Dave Stephens - Girl Talk
available for demo stream and purchase here
www.beatport.com/release/girl-talk/339239]]> Cat: #AA18 A23P & Dave Stephens Vol 2
eROTiek

An A23P original. Forays into dark breaks, persistent bass, glitch, heavily dispersed with building acid.
release included a remix by Dave Stephens.
eROTiek (David Goliath Remix) available here:
www.beatport.com/release/erotiek/345230

Acid AllStars Recordings Release AA17
A23P & Dave Stephens Vol. 1
Girl Talk
Track 2 Dave Stephens - Girl Talk (A23P's 420=7 mix)
available for free streaming and download purchase here:
A23p – Girltalk-a23ps-420-7-mix
Track 1 Dave Stephens - Girl Talk
available for demo stream and purchase here
www.beatport.com/release/girl-talk/339239]]> 54239 no no Thu, 03 Mar 2011 00:00:00 +0100 2011-03-03T00:00:00+01:00 6:40 https://hearthis.at/a23p/teainmycup/ Alien Nesby: Synth & Vocal Sound Design, Synth & Rhythm Programming, Lyrics/Vocals
C. Maughan: Lyrics/Vocals
Brian Beadell: Vocal Sound Design, Lyrics/Vocals

Featured on the album XX 97 17
https://acida23p.bandcamp.com/album/xx-97-17]]> Alien Nesby: Synth & Vocal Sound Design, Synth & Rhythm Programming, Lyrics/Vocals
C. Maughan: Lyrics/Vocals
Brian Beadell: Vocal Sound Design, Lyrics/Vocals

Featured on the album XX 97 17
https://acida23p.bandcamp.com/album/xx-97-17]]> 285632 no no Tue, 28 Jul 2015 00:00:00 +0200 2015-07-28T00:00:00+02:00 5:49 https://hearthis.at/a23p/a23p-with-big-city-orchestra-rob-wortman-ub-radio-salon-305-dfm-radio-november-17-2013/ A23P with Big City Orchestra & Rob Wortman Live
Broadcast on DFM Radio Television International November 17, 2013. www.dfm.nu
Full Show available at:
https://archive.org/details/UbradioSalon305]]> A23P with Big City Orchestra & Rob Wortman Live
Broadcast on DFM Radio Television International November 17, 2013. www.dfm.nu
Full Show available at:
https://archive.org/details/UbradioSalon305]]> 54822 no no Sun, 17 Nov 2013 00:00:00 +0100 2013-11-17T00:00:00+01:00 42:43 https://hearthis.at/a23p/boiscowt/ Lyrics/Vocals by: Alien Nesby
Guitar by: Delia

Was later redone by DAC Theater as "The Abused And The Assaulted"
https://hearthis.at/dac/abusedassualted/
]]> Lyrics/Vocals by: Alien Nesby
Guitar by: Delia

Was later redone by DAC Theater as "The Abused And The Assaulted"
https://hearthis.at/dac/abusedassualted/
]]> 43382 no no Thu, 12 Jun 2014 21:28:04 +0200 2014-06-12T21:28:04+02:00 2:42 https://hearthis.at/a23p/genercation-from-the-upcoming-a23p-album-liber-eliphas/ Written, Produced, and Performed by: Alien Nesby & Seth Ogden
Alien Nesby: Lyrics, Vocals, Synth programming & Sound Design, Drum Programming, Arrangement
Seth Ogden: Vocals, Synth programming & Sound Design, Drum Programming]]> Written, Produced, and Performed by: Alien Nesby & Seth Ogden
Alien Nesby: Lyrics, Vocals, Synth programming & Sound Design, Drum Programming, Arrangement
Seth Ogden: Vocals, Synth programming & Sound Design, Drum Programming]]> 43379 no no Thu, 12 Jun 2014 21:12:03 +0200 2014-06-12T21:12:03+02:00 5:54 https://hearthis.at/a23p/event-tide-from-the-upcoming-a23p-album-liber-eliphas/ https://acida23p.bandcamp.com/album/liber-eliphas
Written, produced, and performed by Alien Nesby
Additional Intro and Ending synths by Martin Wirth]]> https://acida23p.bandcamp.com/album/liber-eliphas
Written, produced, and performed by Alien Nesby
Additional Intro and Ending synths by Martin Wirth]]> 54202 no no Sat, 26 Jul 2014 03:15:01 +0200 2015-12-01T21:04:18+01:00 7:16 https://hearthis.at/a23p/kouga-ninpouchou-basilisk/ https://acida23p.bandcamp.com/album/xx-97-17

Raw capture of sound design and free hand play improvisation.
Single patch with various architecture changes split across key scaling.
No additional effects, No sequencing, No Edits.
Taken during the Liber Eliphas studio sessions.]]> https://acida23p.bandcamp.com/album/xx-97-17

Raw capture of sound design and free hand play improvisation.
Single patch with various architecture changes split across key scaling.
No additional effects, No sequencing, No Edits.
Taken during the Liber Eliphas studio sessions.]]> 33122 no no Wed, 23 Jul 2014 00:00:00 +0200 2014-07-23T00:00:00+02:00 8:16 https://hearthis.at/a23p/ashkenazi/ Includes A23P (aka "The Black Guy")

Featured on the Píšť Ant Album: The Audacity Of Wasted Hope & Talent

Ashkenazi by Píšť Ant
Lyrics:
How do you Nazi
How do you not see
4th Reich
4th Reich

How do you not see
How do you Nazi
Ashkenazi
Ashkenazi

Is Ra El
Central Banks
4th Reich
4th Reich

Roman Catholic
Nation State
4th Reich
4th Reich

Corporate Whore
Think Media Tank
4th Reich
4th Reich

Gentrify
Neutralize
4th Reich
4th Reich

How do you not see
How do you Nazi
4th Reich
4th Reich

How do you Nazi
How do you not see
Ashkenazi
Ashkenazi]]> Includes A23P (aka "The Black Guy")

Featured on the Píšť Ant Album: The Audacity Of Wasted Hope & Talent

Ashkenazi by Píšť Ant
Lyrics:
How do you Nazi
How do you not see
4th Reich
4th Reich

How do you not see
How do you Nazi
Ashkenazi
Ashkenazi

Is Ra El
Central Banks
4th Reich
4th Reich

Roman Catholic
Nation State
4th Reich
4th Reich

Corporate Whore
Think Media Tank
4th Reich
4th Reich

Gentrify
Neutralize
4th Reich
4th Reich

How do you not see
How do you Nazi
4th Reich
4th Reich

How do you Nazi
How do you not see
Ashkenazi
Ashkenazi]]> 1622600 no no Tue, 07 Nov 2017 23:18:26 +0100 2017-11-07T23:18:26+01:00 3:12 https://hearthis.at/a23p/weight/ (originally released under the artist name "23")
Written & Produced by: Alien Nesby]]> (originally released under the artist name "23")
Written & Produced by: Alien Nesby]]> 214900 no no Sun, 01 Jun 1997 00:00:00 +0200 1997-06-01T00:00:00+02:00 4:00 https://hearthis.at/a23p/end-transmission-astral/ Original song written & produced by: Alien Nesby
Additional production and remix by: Alien Nesby
(album originally released under the artist name "23")]]> Original song written & produced by: Alien Nesby
Additional production and remix by: Alien Nesby
(album originally released under the artist name "23")]]> 214899 no no Sun, 01 Jun 1997 00:00:00 +0200 1997-06-01T00:00:00+02:00 3:29 https://hearthis.at/a23p/modesofglass4/
"Modes Of Glass" is a concept work that serves to both act as an ode to Phillip Glass while also exploring the idea of where the boundaries between a musical work being original and it being a "cover" or "remix" of an original work begin and end.

Tthe work is completely rooted in "granular synthesis" methods and excluding some percussive elements, original works by Phillip Glass were utilized as the sole basis of grains. With Phillip Glass works as a basis of grains, creating a new original musical work was then pursued.

]]>
"Modes Of Glass" is a concept work that serves to both act as an ode to Phillip Glass while also exploring the idea of where the boundaries between a musical work being original and it being a "cover" or "remix" of an original work begin and end.

Tthe work is completely rooted in "granular synthesis" methods and excluding some percussive elements, original works by Phillip Glass were utilized as the sole basis of grains. With Phillip Glass works as a basis of grains, creating a new original musical work was then pursued.

]]> 973949 no no Mon, 01 Aug 2016 19:09:27 +0200 2016-08-01T19:09:27+02:00 15:53 https://hearthis.at/a23p/popwilleatitself2/ A23P is Alien Nesby.
Track 1 Wolfsheim - Wundervall
Track 2 PQM - You Are Sleeping
Track 3 Client - Radio
Track 4 Le Couleur - Voyage Amoureux
Track 5 The Shamen - Ebenezer Goode
Track 6 Basco - The Beat Is Over
Track 7 Venetian Snares - Masodik Galamb
Track 8 Venetian Snares - Hajnal
Track 9 65daysofstatic - The Conspiracy Of Seeds

compiled and made in ]]> A23P is Alien Nesby.
Track 1 Wolfsheim - Wundervall
Track 2 PQM - You Are Sleeping
Track 3 Client - Radio
Track 4 Le Couleur - Voyage Amoureux
Track 5 The Shamen - Ebenezer Goode
Track 6 Basco - The Beat Is Over
Track 7 Venetian Snares - Masodik Galamb
Track 8 Venetian Snares - Hajnal
Track 9 65daysofstatic - The Conspiracy Of Seeds

compiled and made in ]]> 1143661 no no Fri, 16 Dec 2016 19:54:03 +0100 2016-12-16T19:54:03+01:00 54:56 https://hearthis.at/a23p/27minutesofacid/ 994397 no no Wed, 17 Aug 2016 21:23:41 +0200 2016-08-17T21:23:41+02:00 26:51 https://hearthis.at/a23p/variemotion/ Modes of Ambient, Techno, IDM, And on
2 Synthesizers one sequenced, other freehand played no additional effects.
Live sound design
Written, Produced, and Recorded on 2014 October 4]]> Modes of Ambient, Techno, IDM, And on
2 Synthesizers one sequenced, other freehand played no additional effects.
Live sound design
Written, Produced, and Recorded on 2014 October 4]]> 102865 no no Sat, 04 Oct 2014 00:00:00 +0200 2014-10-04T00:00:00+02:00 52:21 https://hearthis.at/a23p/a23plivetmcosprset1180519/ Recorded live, Colorado Spings, 18.05.19

In loving memory of Eric Enlund/Exotic E, lil E,
the rest of extended Florida fam and artists that
have and continue to inspire.
Be Excellent To Each Other
Art Harder

*special shout to Trey, Michelle, Justin, and the
Colorado Springs Crew*

https://acida23p.bandcamp.com
https://hearthis.at/a23p
https://soundcloud.com/a23p
https://mixcloud.com/a23p
https://joindiaspora.com/u/alien23
https://archive.org/details/@alien23]]> Recorded live, Colorado Spings, 18.05.19

In loving memory of Eric Enlund/Exotic E, lil E,
the rest of extended Florida fam and artists that
have and continue to inspire.
Be Excellent To Each Other
Art Harder

*special shout to Trey, Michelle, Justin, and the
Colorado Springs Crew*

https://acida23p.bandcamp.com
https://hearthis.at/a23p
https://soundcloud.com/a23p
https://mixcloud.com/a23p
https://joindiaspora.com/u/alien23
https://archive.org/details/@alien23]]> 3201924 no no Fri, 31 May 2019 23:51:58 +0200 2019-05-31T23:51:58+02:00 2:09:13 https://hearthis.at/a23p/zarbizarre-3773-a23ps-distension-mix/ https://acida23p.bandcamp.com/album/xx-97-17

official, though long unreleased A23P remix of Zarbizarre's (aka Cereal Killaz) 3773
Original song written and produced by: A. Linhart
Remix & additional production for DisTension Mix by: Alien Nesby]]> https://acida23p.bandcamp.com/album/xx-97-17

official, though long unreleased A23P remix of Zarbizarre's (aka Cereal Killaz) 3773
Original song written and produced by: A. Linhart
Remix & additional production for DisTension Mix by: Alien Nesby]]> 53945 no no Tue, 22 Jul 2014 00:00:00 +0200 2014-07-22T00:00:00+02:00 9:34 https://hearthis.at/a23p/acid-minded/ (originally released under the artist name "23")]]> (originally released under the artist name "23")]]> 214892 no no Sun, 01 Jun 1997 00:00:00 +0200 1997-06-01T00:00:00+02:00 15:22 https://hearthis.at/a23p/am3038dj-komor-kommando-boomtscheekah-a23p-s-minus-7-mix/
A23P remix of Komor Kommando's Boomtscheekah.
Pounding syncopated industrial ebm and hard acid.
Komor's vocal is reworked into a noise and over driven syncopated industrial rhythms mainlining with a strong dark acid lead cutting through top while subtle glitches lay the surrounding back drop.

This remix EP was part of a split release between Alfa Matrix and Acid AllStars Recordings.
The two releases with the exception of A23P being featured on the Alfa Matrix release and DJ Pierre being featured on Acid AllStars Release. The Acid AllStars release is available here:
www.beatport.com/release/komor-ko…h-remixes/821199

A23P Remix of Komor Kommando's Boomtscheekah.
Stream courtesey of Alfa Matrix Records and Acid Allstars Recordings
Available for purchase through
itunes.com, rhapsody.com, amazon.com, beatport.com and other retailers.
www.alfa-matrix.com/shop_comments.p…id=2166_0_8_0_C]]>
A23P remix of Komor Kommando's Boomtscheekah.
Pounding syncopated industrial ebm and hard acid.
Komor's vocal is reworked into a noise and over driven syncopated industrial rhythms mainlining with a strong dark acid lead cutting through top while subtle glitches lay the surrounding back drop.

This remix EP was part of a split release between Alfa Matrix and Acid AllStars Recordings.
The two releases with the exception of A23P being featured on the Alfa Matrix release and DJ Pierre being featured on Acid AllStars Release. The Acid AllStars release is available here:
www.beatport.com/release/komor-ko…h-remixes/821199

A23P Remix of Komor Kommando's Boomtscheekah.
Stream courtesey of Alfa Matrix Records and Acid Allstars Recordings
Available for purchase through
itunes.com, rhapsody.com, amazon.com, beatport.com and other retailers.
www.alfa-matrix.com/shop_comments.p…id=2166_0_8_0_C]]> 54231 no no Thu, 17 May 2012 00:00:00 +0200 2012-05-17T00:00:00+02:00 4:50 https://hearthis.at/a23p/end-transmission/ Originally Track 1 From the 1997 album "Thee 23rd Sigil Ov Reason"
Written and Produced by: Alien Nesby
("Thee 23rd Sigil Ov Reason" album originally released under the artist name "23")]]> Originally Track 1 From the 1997 album "Thee 23rd Sigil Ov Reason"
Written and Produced by: Alien Nesby
("Thee 23rd Sigil Ov Reason" album originally released under the artist name "23")]]> 214901 no no Sun, 01 Jun 1997 00:00:00 +0200 1997-06-01T00:00:00+02:00 7:29 https://hearthis.at/a23p/dec42016/ Acid, Techno, Electro]]> Acid, Techno, Electro]]> 1878945 no no Wed, 25 Apr 2018 17:46:42 +0200 2018-04-25T17:46:42+02:00 1:32:24 https://hearthis.at/a23p/2016-12-0416h27m0201h32m50/ Recorded on December 4th, 2016
]]> Recorded on December 4th, 2016
]]> 1130233 no no Tue, 06 Dec 2016 17:21:09 +0100 2016-12-06T18:08:02+01:00 1:08:11 https://hearthis.at/a23p/hiphopjourney2017a/ Mix features a range of hip-hop, from things older to the more current, and in keeping to hip-hop traditions, often features frequent space for live MCs to insert themselves.
Numerous of the cuts were live re-mixed by A23P (as opposed to more traditional straight mixing).

These mixes were done in dedication to the many b-boys, b-girls, grafitti artist, djs, and MCs keeping true hip-hop culture alive in the midst and face of all obstacles as well as Marc Fleury (in lieu of his appreciation of a past hip-hop compilation).

Hip-Hop Journey 2017: Presented by A23P is designed for placement on C-100 length cassete tape.

Full tack listing coming soon......]]> Mix features a range of hip-hop, from things older to the more current, and in keeping to hip-hop traditions, often features frequent space for live MCs to insert themselves.
Numerous of the cuts were live re-mixed by A23P (as opposed to more traditional straight mixing).

These mixes were done in dedication to the many b-boys, b-girls, grafitti artist, djs, and MCs keeping true hip-hop culture alive in the midst and face of all obstacles as well as Marc Fleury (in lieu of his appreciation of a past hip-hop compilation).

Hip-Hop Journey 2017: Presented by A23P is designed for placement on C-100 length cassete tape.

Full tack listing coming soon......]]> 1195926 no no Sat, 28 Jan 2017 19:40:53 +0100 2017-01-28T19:40:53+01:00 49:39 https://hearthis.at/a23p/hiphopjourney2017b/ Numerous of the cuts were live re-mixed by A23P (as opposed to more traditional straight mixing).

These mixes were done in dedication to the many b-boys, b-girls, grafitti artist, djs, and MCs keeping true hip-hop culture alive in the midst and face of all obstacles as well as Marc Fleury (in lieu of his appreciation of a past hip-hop compilation).

Special shout to the Lee Harvey Cartel crew, whom should and would have been featured on Hip-Hop Journey 2017 if not for osme technical issues that came up.

Hip-Hop Journey 2017: Presented by A23P is designed for placement on C-100 length cassete tape.

Full tack listing coming soon......]]> Numerous of the cuts were live re-mixed by A23P (as opposed to more traditional straight mixing).

These mixes were done in dedication to the many b-boys, b-girls, grafitti artist, djs, and MCs keeping true hip-hop culture alive in the midst and face of all obstacles as well as Marc Fleury (in lieu of his appreciation of a past hip-hop compilation).

Special shout to the Lee Harvey Cartel crew, whom should and would have been featured on Hip-Hop Journey 2017 if not for osme technical issues that came up.

Hip-Hop Journey 2017: Presented by A23P is designed for placement on C-100 length cassete tape.

Full tack listing coming soon......]]> 1195939 no no Sat, 28 Jan 2017 20:09:56 +0100 2017-01-28T20:09:56+01:00 49:59 https://hearthis.at/a23p/hipextensions-rcy/
While the actual "Hip Hop Journey" sessions were focused on hip-hop more specifically, this outtake was a bit more liberal in it's approach. Work featuring Vocal MCs was played down a lot more in favor of work for live MCs and/or singers to work with (perhaps giving things more of a trip-hop bent) and sounds that may be considered as outside hip-hop were utilized more. ]]>
While the actual "Hip Hop Journey" sessions were focused on hip-hop more specifically, this outtake was a bit more liberal in it's approach. Work featuring Vocal MCs was played down a lot more in favor of work for live MCs and/or singers to work with (perhaps giving things more of a trip-hop bent) and sounds that may be considered as outside hip-hop were utilized more. ]]> 1175701 no no Tue, 14 Mar 2017 21:48:23 +0100 2017-03-14T21:48:23+01:00 1:41:13 https://hearthis.at/a23p/ta2/ Improv jam session recorded live at the Sera Tonin compound.
All sound design by Alien Nesby.
All material written and produced live by Alien Nesby.]]> Improv jam session recorded live at the Sera Tonin compound.
All sound design by Alien Nesby.
All material written and produced live by Alien Nesby.]]> 845277 no no Fri, 13 May 2016 02:44:56 +0200 2016-05-13T02:44:56+02:00 6:23 https://hearthis.at/a23p/vault-live/ Recorded live at The Vault, Denver (CO) 14 May 2016.
Featuring special guests:
Mikey Smith (additional keys/synths)
[courtsey of the Mikey Smith Trio]
Jewkes (vocals)
[courtsey Lee Harvey Cartel]

A23P is Alien Nesby]]> Recorded live at The Vault, Denver (CO) 14 May 2016.
Featuring special guests:
Mikey Smith (additional keys/synths)
[courtsey of the Mikey Smith Trio]
Jewkes (vocals)
[courtsey Lee Harvey Cartel]

A23P is Alien Nesby]]> 886916 no no Tue, 17 May 2016 03:52:11 +0200 2016-05-17T03:52:11+02:00 1:12:38 https://hearthis.at/a23p/ta3/ Improv jam session recorded live at the Sera Tonin compound.
All sound design by Alien Nesby.
All material written and produced live by Alien Nesby.]]> Improv jam session recorded live at the Sera Tonin compound.
All sound design by Alien Nesby.
All material written and produced live by Alien Nesby.]]> 845283 no no Mon, 18 Apr 2016 07:02:52 +0200 2016-04-18T07:02:52+02:00 3:57 https://hearthis.at/a23p/enslavement-live-from-welt-compound/
The songs were first written soley in mind, with no instruments or writing documentation tools touched.
Following this, a sound design phase was entered into and necessary timbres for the song were developed.
Post sound design, the song was recorded live while being played and orchestrated for the first time (brought out of "mind" and into physical manifestation).
Post the creation of the songs and their initial recordings, the songs were then planned to be taken to studio, more formally written, and fully produced with both the initially recorded and end products being publicly available; allowing for a compare and contrast of the pieces at their very infancy as first they were first formally draft written and performed by the creator and at the later stage when refinements and formal studio productions were allowed to take place.

As stands, the project never made it past the point of the initial recorded drafts of the 3 songs.

*Vocals originally written & performed by Stefan Molyneux, "The Story Of Your Enslavement"]]>
The songs were first written soley in mind, with no instruments or writing documentation tools touched.
Following this, a sound design phase was entered into and necessary timbres for the song were developed.
Post sound design, the song was recorded live while being played and orchestrated for the first time (brought out of "mind" and into physical manifestation).
Post the creation of the songs and their initial recordings, the songs were then planned to be taken to studio, more formally written, and fully produced with both the initially recorded and end products being publicly available; allowing for a compare and contrast of the pieces at their very infancy as first they were first formally draft written and performed by the creator and at the later stage when refinements and formal studio productions were allowed to take place.

As stands, the project never made it past the point of the initial recorded drafts of the 3 songs.

*Vocals originally written & performed by Stefan Molyneux, "The Story Of Your Enslavement"]]> 32975 no no Wed, 08 May 2013 00:00:00 +0200 2013-05-08T00:00:00+02:00 17:36 https://hearthis.at/a23p/a23ppresentshiphop237/ a lil Trip Hop Hip enjoyment mix detour recorded live on July 23, 2020

mostly featuring music from the current and recent past few years with a couple throw backs to the more "old school" past.
sorry, no specific artist track list this go, but will be looking to relisten myself later and sort out whom all the artist were dropped in order to provide a proper mention of them here later. (and if i can dig myself out of further laziness, the specific tracks will be later added as well.

originally hosted at:
https://archive.org/details/hiphop237]]> a lil Trip Hop Hip enjoyment mix detour recorded live on July 23, 2020

mostly featuring music from the current and recent past few years with a couple throw backs to the more "old school" past.
sorry, no specific artist track list this go, but will be looking to relisten myself later and sort out whom all the artist were dropped in order to provide a proper mention of them here later. (and if i can dig myself out of further laziness, the specific tracks will be later added as well.

originally hosted at:
https://archive.org/details/hiphop237]]> 4976781 no no Fri, 24 Jul 2020 14:01:42 +0200 2020-07-24T14:01:42+02:00 50:06 https://hearthis.at/a23p/dica-evil-live-pa-feb-2006/ 214932 no no Sat, 04 Feb 2006 00:00:00 +0100 2006-02-04T00:00:00+01:00 56:20 https://hearthis.at/a23p/lhccompound2/ Acid
Broadcast & Recorded May 10th, 2016
Technoize]]> Acid
Broadcast & Recorded May 10th, 2016
Technoize]]> 877009 no no Tue, 06 Dec 2016 19:02:17 +0100 2016-12-06T19:02:17+01:00 43:30 https://hearthis.at/a23p/lhccompound/ Recorded Live at the LHCCompound on May 10th, 2016.
]]> Recorded Live at the LHCCompound on May 10th, 2016.
]]> 877152 no no Tue, 10 May 2016 20:34:28 +0200 2016-05-10T20:34:28+02:00 1:54:50 https://hearthis.at/a23p/bluemoonacid/ From A23P & Acidbat practice session for Lunar Lodge 2015
A23P is: Alien Nesby (Synth Play/Sequence Programming, Drum Programming, Sound Design)
Acidbat is: Seth Ogden (Synth Play/Sequence Programming, Drum Programming, Sound Design)
]]> From A23P & Acidbat practice session for Lunar Lodge 2015
A23P is: Alien Nesby (Synth Play/Sequence Programming, Drum Programming, Sound Design)
Acidbat is: Seth Ogden (Synth Play/Sequence Programming, Drum Programming, Sound Design)
]]> 300348 no no Sat, 08 Aug 2015 01:51:58 +0200 2015-08-08T01:51:58+02:00 18:15 https://hearthis.at/a23p/ambientsessions/
Alien Nesby: Sound Design/Live Granular Synthesis, Drum Programming
Seth Ogden: Synth Pads, Synth Leads, SFX
Brian Beadell: Vocals & Vocal Sound Design]]>
Alien Nesby: Sound Design/Live Granular Synthesis, Drum Programming
Seth Ogden: Synth Pads, Synth Leads, SFX
Brian Beadell: Vocals & Vocal Sound Design]]> 577309 no no Thu, 26 Nov 2015 00:00:00 +0100 2015-11-26T00:00:00+01:00 28:23 https://hearthis.at/a23p/sirhc-neila-060814live/ http://www.sirhcneila.net
https://www.hearthis.at/sirhcneila

Sirhc Neila is: Alien Nesby (A23P) and Chris Mandel (Cloudless Rain).
Live improv recording conducted on June 8, 2014 (no edits).
Chris Mandel: Trump (HNIC To Be)et, Live Looping, Effects/Sound Design
Alien Nesby: Synthesizers, Sound Design, Drum Programming/Sequencing]]> http://www.sirhcneila.net
https://www.hearthis.at/sirhcneila

Sirhc Neila is: Alien Nesby (A23P) and Chris Mandel (Cloudless Rain).
Live improv recording conducted on June 8, 2014 (no edits).
Chris Mandel: Trump (HNIC To Be)et, Live Looping, Effects/Sound Design
Alien Nesby: Synthesizers, Sound Design, Drum Programming/Sequencing]]> 42880 no no Mon, 09 Jun 2014 00:00:00 +0200 2014-06-09T00:00:00+02:00 39:41 https://hearthis.at/a23p/planetjanet/ Performed by: Alien Nesby, Oedla, & Eleanore Lozier
Alien Nesby: Sound Design, Rhythm Programming, Synth Programming, Live Synth Play
Oedla: Sound Design, Synth Programming
Eleanore Lozier: Vocals]]> Performed by: Alien Nesby, Oedla, & Eleanore Lozier
Alien Nesby: Sound Design, Rhythm Programming, Synth Programming, Live Synth Play
Oedla: Sound Design, Synth Programming
Eleanore Lozier: Vocals]]> 612278 no no Wed, 20 May 2020 16:02:49 +0200 2020-05-20T16:02:49+02:00 38:24 https://hearthis.at/a23p/peace-miel-future/ All heard is a single timbral patch, with no additional effects or post production.
The patch was played through both use of a step sequencer and free hand play.
The patch utilized a variety of combined synthesis methods including but not limited to, Granular Synthesis, Acoustic Physical Modelling Synthesis, Analogue Circuit Physical Modelling Synthesis, and Subtractive Synthesis.
]]> All heard is a single timbral patch, with no additional effects or post production.
The patch was played through both use of a step sequencer and free hand play.
The patch utilized a variety of combined synthesis methods including but not limited to, Granular Synthesis, Acoustic Physical Modelling Synthesis, Analogue Circuit Physical Modelling Synthesis, and Subtractive Synthesis.
]]> 670765 no no Sat, 23 Jan 2016 04:10:27 +0100 2016-01-23T04:10:27+01:00 34:37 https://hearthis.at/a23p/lunarlodge/ A23P is: Alien Nesby (Synth Play/Sequence Programming, Drum Programming, Vocals, Sound Design)
Acidbat is: Seth Ogden (Synth Play/Sequence Programming, Drum Programming, Sound Design)
]]> A23P is: Alien Nesby (Synth Play/Sequence Programming, Drum Programming, Vocals, Sound Design)
Acidbat is: Seth Ogden (Synth Play/Sequence Programming, Drum Programming, Sound Design)
]]> 299972 no no Sun, 02 Aug 2015 00:00:00 +0200 2015-08-02T00:00:00+02:00 1:05:40 https://hearthis.at/a23p/illuminzero/ Written, Produced, and Recorded live on 2014 November, 9 by Alien Nesby
Roland V-Synth GT (controlled/sound designed/play free hand), Elektron MachineDrum UW MKII (live programmed/sequenced & sound design)
No Additional Effects
No edits; raw recording from board.
]]> Written, Produced, and Recorded live on 2014 November, 9 by Alien Nesby
Roland V-Synth GT (controlled/sound designed/play free hand), Elektron MachineDrum UW MKII (live programmed/sequenced & sound design)
No Additional Effects
No edits; raw recording from board.
]]> 107909 no no Sun, 09 Nov 2014 00:00:00 +0100 2014-11-09T00:00:00+01:00 45:34 https://hearthis.at/a23p/moonjam/ From A23P & Acidbat practice session for Lunar Lodge 2015
A23P is: Alien Nesby (Synth Play/Sequence Programming, Drum Programming, Sound Design)
Acidbat is: Seth Ogden (Synth Play/Sequence Programming, Drum Programming, Sound Design)]]> From A23P & Acidbat practice session for Lunar Lodge 2015
A23P is: Alien Nesby (Synth Play/Sequence Programming, Drum Programming, Sound Design)
Acidbat is: Seth Ogden (Synth Play/Sequence Programming, Drum Programming, Sound Design)]]> 300404 no no Sat, 08 Aug 2015 01:51:53 +0200 2015-08-08T01:51:53+02:00 38:00 https://hearthis.at/a23p/7thcircle/ Alien Nesby: Roland V-Synth GT, FutureRetro XS, MachineDrum UW MKII
Seth Ogden: BassBot TT-303]]> Alien Nesby: Roland V-Synth GT, FutureRetro XS, MachineDrum UW MKII
Seth Ogden: BassBot TT-303]]> 245643 no no Sun, 28 Jun 2015 00:00:00 +0200 2015-06-28T00:00:00+02:00 29:19 https://hearthis.at/a23p/tentap05302015/ One of the more aggressive A23P sets in some years.
Hard Acidified Techno for the Headstrong.]]> One of the more aggressive A23P sets in some years.
Hard Acidified Techno for the Headstrong.]]> 225962 no no Sun, 31 May 2015 00:00:00 +0200 2015-05-31T00:00:00+02:00 21:20 https://hearthis.at/a23p/italian-dance/ 214933 no no Sat, 02 Jun 2007 00:00:00 +0200 2007-06-02T00:00:00+02:00 1:04:46 https://hearthis.at/a23p/newyears2009/ Live all hardware P.A. conducted & broadcast live on December 30, 2008 for the DJINTHEMIX New Years party event.

A rare extended A23P Live P.A. of live writing and sound design.
An Acid centric performance with modes of Ambient, Techno, Breaks, & Glitch.]]> Live all hardware P.A. conducted & broadcast live on December 30, 2008 for the DJINTHEMIX New Years party event.

A rare extended A23P Live P.A. of live writing and sound design.
An Acid centric performance with modes of Ambient, Techno, Breaks, & Glitch.]]> 65077 no no Tue, 30 Dec 2008 00:00:00 +0100 2008-12-30T00:00:00+01:00 1:55:36 https://hearthis.at/a23p/deepmalechoi/ Too try to keep the demo interesting I went a bit beyond the mere patch itself.
There's a simple sampled bassline (of a patch I had previously developed) being triggered from an MD-UW MKII that begins things off and the drumming subsequently heard also comes from an original kit I developed on the MD.
Post this I finally begin playing the "DeepMaleChoi" patch.
The patch is designed to give an "effect" of speaking/singing words at times, though in reality it's really not saying anything from any language at all. When the patch is played legato (be that monophonically or polyphonically) it's designed to give an effect of speaking/singing through progressed words.

To give additional depth I did some split voice allocations to give the appearance of other patches/synths being played. So there comes a point where I had the DeepMaleChoi timbre programming only being applied only in the lower voice registers, in my mid registers I did another choral/pad type voice I'd developed, and in the upper register was yet another somewhat vocal like timbre I'd made designed to sort of sound like a glitchy voice (for note, this later timbre was based of analysis of the voice of Oedlla of Acid AllStars).
There was a multi-stage synthesis/production process that utilized multiple tools for designing the DeepMaleChoi patch in particular and to a lesser degree this stands true for the other timbres heard when I split the patch into an odd voice allocation, but the patch was finalized on a V-GT. For purposes of brevity, I will not go into detail on how all the patch was made.

That said, the sampled bass is played from the MD MKII as are the drums. All sequencing for both items (bass and drums) were written/programmed and manipulated on the MD in real time. Everything else is simply the DeepMaleChoi patch being played freehand (granted as things progress some odd voice allocations are pulled to allow for a further depth of sound).
Single synth patch played freehand and an MD basically.]]> Too try to keep the demo interesting I went a bit beyond the mere patch itself.
There's a simple sampled bassline (of a patch I had previously developed) being triggered from an MD-UW MKII that begins things off and the drumming subsequently heard also comes from an original kit I developed on the MD.
Post this I finally begin playing the "DeepMaleChoi" patch.
The patch is designed to give an "effect" of speaking/singing words at times, though in reality it's really not saying anything from any language at all. When the patch is played legato (be that monophonically or polyphonically) it's designed to give an effect of speaking/singing through progressed words.

To give additional depth I did some split voice allocations to give the appearance of other patches/synths being played. So there comes a point where I had the DeepMaleChoi timbre programming only being applied only in the lower voice registers, in my mid registers I did another choral/pad type voice I'd developed, and in the upper register was yet another somewhat vocal like timbre I'd made designed to sort of sound like a glitchy voice (for note, this later timbre was based of analysis of the voice of Oedlla of Acid AllStars).
There was a multi-stage synthesis/production process that utilized multiple tools for designing the DeepMaleChoi patch in particular and to a lesser degree this stands true for the other timbres heard when I split the patch into an odd voice allocation, but the patch was finalized on a V-GT. For purposes of brevity, I will not go into detail on how all the patch was made.

That said, the sampled bass is played from the MD MKII as are the drums. All sequencing for both items (bass and drums) were written/programmed and manipulated on the MD in real time. Everything else is simply the DeepMaleChoi patch being played freehand (granted as things progress some odd voice allocations are pulled to allow for a further depth of sound).
Single synth patch played freehand and an MD basically.]]> 133216 no no Thu, 18 Dec 2014 00:00:00 +0100 2014-12-18T00:00:00+01:00 9:40 https://hearthis.at/a23p/mixedfrequency/ Written and Produced by A23P + N.E.S.
For Phil Western Benefit Compilation]]> Written and Produced by A23P + N.E.S.
For Phil Western Benefit Compilation]]> 131452 no no Sat, 27 Oct 2018 00:17:44 +0200 2018-10-27T00:17:44+02:00 14:43 https://hearthis.at/a23p/hia-studio-edit/ Recorded Live at the Welt Compound

Originally written, produced, and recorded during an improv jam session at the Welt Compound. ]]> Recorded Live at the Welt Compound

Originally written, produced, and recorded during an improv jam session at the Welt Compound. ]]> 54289 no no Wed, 23 Jul 2014 00:00:00 +0200 2014-07-23T00:00:00+02:00 6:55 https://hearthis.at/a23p/em-live-from-welt-compound/ Following this, a sound design phase was entered into and necessary timbres for the song were developed.
Post sound design, the song was recorded live while being played and orchestrated for the first time (brought out of "mind" and into physical manifestation).
Post the creation of the songs and their initial recordings, the songs were then planned to be taken to studio, more formally written, and fully produced with both the intially recorded and end products being publicly available; allowing for a compare and contrast of the pieces at their very infancy as first they were first formally draft written and performed by the creator and at the later stage when refinements and formal studio productions were allowed to take place.

As stands, the project never made it past the point of the initial drafts of the 3 songs.]]> Following this, a sound design phase was entered into and necessary timbres for the song were developed.
Post sound design, the song was recorded live while being played and orchestrated for the first time (brought out of "mind" and into physical manifestation).
Post the creation of the songs and their initial recordings, the songs were then planned to be taken to studio, more formally written, and fully produced with both the intially recorded and end products being publicly available; allowing for a compare and contrast of the pieces at their very infancy as first they were first formally draft written and performed by the creator and at the later stage when refinements and formal studio productions were allowed to take place.

As stands, the project never made it past the point of the initial drafts of the 3 songs.]]> 54160 no no Mon, 06 May 2013 00:00:00 +0200 2013-05-06T00:00:00+02:00 15:10 https://hearthis.at/a23p/mixedfrequencyedit/ Short Edit Version
Written and Produced by A23P + N.E.S.
For Phil Western Benefit Compilation]]> Short Edit Version
Written and Produced by A23P + N.E.S.
For Phil Western Benefit Compilation]]> 131451 no no Wed, 25 Apr 2018 17:54:15 +0200 2018-04-25T17:54:15+02:00 8:01 https://hearthis.at/a23p/lrmx82813/
A movement through numerous modern dance forms including Acid, Electro, House, Breaks, Drum n Bass, Synth Pop, and more, not DJ mixed, but "Live Remixed" in improv fashion, no pre-formulated playlist and new production points, edits, synthesis & instrumental play being conducted live and real time.

This was fairly early on in the days of settling in on what would become the foundation pieces of the live remixing setup and gear for A23P excursions.
Primary Original Works remixed during set:
1.Skimming by Taylor Deupree
2.Mosquito by Unit Park
3.Helicopter by Plastikman
4.Lab by PROTOTYPE 909
5.Papillion by Union Jack
6.Plasticity by Plastikman
7.Hacker by Anthony Rother
8.Destroy Him My Robots by Anthony Rother
9.I Control Your Body by Jackal & Hyde
10.Music Is A Drug by Exzakt
11.Time Bomb by Rabbit In The Moon
12.Queer (Rabbit In The Moon Mix) by Garbage
13.Can You Feel? (Jori Hulkkonen Mix) by Client
14.Stars by Sixth June
15.Simulationzeitalter by Anthony Rother
16.Squirt by PROTOTYPE 909
17.Play it loud by Barruka
18.Flower Swing by Jammin' Unit
19.116.7 by Acen
20.Cryonic (Signal to Noise Rmx) by Acen
]]>
A movement through numerous modern dance forms including Acid, Electro, House, Breaks, Drum n Bass, Synth Pop, and more, not DJ mixed, but "Live Remixed" in improv fashion, no pre-formulated playlist and new production points, edits, synthesis & instrumental play being conducted live and real time.

This was fairly early on in the days of settling in on what would become the foundation pieces of the live remixing setup and gear for A23P excursions.
Primary Original Works remixed during set:
1.Skimming by Taylor Deupree
2.Mosquito by Unit Park
3.Helicopter by Plastikman
4.Lab by PROTOTYPE 909
5.Papillion by Union Jack
6.Plasticity by Plastikman
7.Hacker by Anthony Rother
8.Destroy Him My Robots by Anthony Rother
9.I Control Your Body by Jackal & Hyde
10.Music Is A Drug by Exzakt
11.Time Bomb by Rabbit In The Moon
12.Queer (Rabbit In The Moon Mix) by Garbage
13.Can You Feel? (Jori Hulkkonen Mix) by Client
14.Stars by Sixth June
15.Simulationzeitalter by Anthony Rother
16.Squirt by PROTOTYPE 909
17.Play it loud by Barruka
18.Flower Swing by Jammin' Unit
19.116.7 by Acen
20.Cryonic (Signal to Noise Rmx) by Acen
]]> 34116 no no Thu, 29 Aug 2013 00:00:00 +0200 2013-08-29T00:00:00+02:00 1:41:52 https://hearthis.at/a23p/lrmx61714/
A movement through ambient, electro, acid, breaks, and IDM textures, not DJ mixed, but "Live Remixed" in improv fashion, no pre-formulated playlist and new production points, edits, synthesis & instrumental play being conducted live and real time.]]>
A movement through ambient, electro, acid, breaks, and IDM textures, not DJ mixed, but "Live Remixed" in improv fashion, no pre-formulated playlist and new production points, edits, synthesis & instrumental play being conducted live and real time.]]> 45539 no no Mon, 17 Jun 2013 00:00:00 +0200 2013-06-17T00:00:00+02:00 2:08:52 https://hearthis.at/a23p/a23p-machinedrum-uw-mkii-demo/ Had just finished a new kit on the MachineDrum SPS-1UW+ MKII.
This is a real time recording of a jam session then played on the kit.
All real time writing, at no point is more than the original pattern being utilized. Similarly, the same kit is retained through out.
All heard timbre and drum changes are a result of real time writing and timbre manipulation.]]> Had just finished a new kit on the MachineDrum SPS-1UW+ MKII.
This is a real time recording of a jam session then played on the kit.
All real time writing, at no point is more than the original pattern being utilized. Similarly, the same kit is retained through out.
All heard timbre and drum changes are a result of real time writing and timbre manipulation.]]> 33338 no no Fri, 11 Apr 2014 22:34:08 +0200 2014-04-11T22:34:08+02:00 25:09 https://hearthis.at/a23p/trexgirlcontemplation/ A23P is Alien Nesby.
All original Sound Design by Alien Nesby.
]]> A23P is Alien Nesby.
All original Sound Design by Alien Nesby.
]]> 928888 no no Sat, 27 Oct 2018 00:12:28 +0200 2018-10-27T00:12:28+02:00 1:30:15